”Love” is the word that sums me up the best,” said Yoko Ono at the Louisiana Museum of Modern Art north of Copenhagen where she presented her latest exhibition; a sum up of her earliest works including War Is Over- If You Want It and a wish tree in the garden for guests to hang their wishes on.

“Morning sunbeams” and a beaming Yoko Ono, and outside, her Wish Tree, which by the end of the exhibition had received altogether 2 million wishes..with everything from world peace to children’s toys.  Photos Camilla Alfthan

”For years I always heard that when you exhibit in Louisiana you’ve made it. Now I’m finally here. I came straight from the airport instead of going to the hotel to see my installations. It’s a magical place. Coming here, I realize how well space is used.  We’re living in a world where there’s less and less space because of money.   The way you use space here is beautiful and silent.  Silence breathes. In war you break silence. Without silence there’s no peace in the world. In big cities it’s difficult to use space in the right way.  Instead of creating space people create things to sell; objects that symbolize money rather than thought and spirit. The spirit is killed. Here, space is very special. It is not killed.”

(How do you manage to keep your work so fresh?) ” I don’t know the answer. Maybe because I care about keeping space in my brain.  I don’t want to accumulate a lot of knowledge. I like to keep my brain empty. When it is empty, a lot of inspiration comes to me.  I get all the energy and inspiration. I’m giving it back to you.  It is a nice kind of circulation.    (…) When I was I child in elementary school I was reading a story about a Japanese warrior. There was a picture of him. He said he wanted to take seven years of misery on his body so that the world could live in peace. I thought I wanted to be like him. Then my life was a mess. All sorts of terrible things happened to me. I realized that I’d been praying to be like the warrior. Now I want to be like another Japanese character, who has eight years of happiness and treasures..(…)   This body has lived for 80 years. Its a creation of art. You and I have a heart. Our heart beats are the same.”

Yoko Ono is represented by Galerie Lelong in New York

What do some hundred horses, Karl Lagerfeld, Percy Sledge and a Finnish jazz band have in common? Under normal circumstances, perhaps not much. But during the last few days they were all in St. Moritz; the roof of Europe, which on Sunday hosted the season’s last race day on the frozen lake. This year, Arabian horses had joined the cast to make the setting even more surreal, amidst palm trees, champagne bars and some 14,000 spectators. “When you race in St. Moritz it’s not for the money. It’s a little bit like the Olympics, with a completely different atmosphere and a unique backdrop. You’re not on the ground but in 1,900 meters altitude, with an amazing audience,” said Joachim Weissmeier, trainer of Fanal El Samawi, who won the Arabian race.

For Karl Lagerfeld, St. Moritz was a bit like the Olympics too, as he exhibited his latest art works, Fire Etchings, at the Gmurzynska, his longtime gallery for the past 17 years. “I’m a paperfreak. In fashion all collections begin on paper, just as in photography. My profession is to sketch. Whenever I have an idea I see it in three dimensions, I have a technique and then I put it on paper,” said Lagerfeld, whose images were etched into backlit glass with fire. Meanwhile, at the Kulm, a Finnish jazz band played divine tunes worthy of the late Miles Davies,while Percy Sledge performed at the Badrutt’s with a little help from his wife. When asked how a man from the deep South stays close to his roots in the Swiss mountains his answer was simple. “My fans.”  Photo Camilla Alfthan