Author Archives: camilla

Raising the bar

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Filed under Notebook


At only 17, Reed Kessler was selected to compete at the Olympics as the youngest rider ever.  She’s since been no. 1 in the US and she’s run her own competition stables in the Netherlands. At 24, she’s back to school again.

By Camilla Alfthan, photos Reed Kessler

”I’VE BEEN riding my whole life and my parents have been riding for over 30 years. My dad was my trainer, Katie Prudent’s first customer and Katie is my godmother so I’ve always ridden.Even when I was younger I was always the younger person doing bigger classes than most people their age. I started doing the senior international classes when I was 15 so I’ve always pushed myself ahead to do bigger things. Katie always pushed me to do bigger thing so that’s probably why I’ve gotten here so fast,” said Reed Kessler when we met at the Gucci Masters in Paris back in 2012. Just one year later, Reed became US National Champion while her all-time favourite, Cylana, a Belgian warmblood, was named Horse of the Year in her native country.

ABOUT STARTING EARLY

”I’ve been competing my whole life. I first sat on a horse when I was six months old. My parents used to put me in a basket and tied it onto my little pony and then they would tie my stuff onto  the trees so I would steer to get them. My whole life has been about riding and following my parents who competed in amateur shows. It runs in the family and it was all I ever wanted to do. My parents and I are very competitive. I love horses. Before my dad’s career really took off we would have one or two horses at home and my mum and I would take care of them and the pony in the back yard. Besides just riding I love taking care of them. Its been part of my whole life.”

“I was always the younger person doing bigger classes than most people their age. I’ve always pushed myself ahead to do bigger things.”

HER HORSE POWER

”They’re a little bit like my babies. My guardian was my first junior horse who is one month older than I am. I had him for six years and I first rode him in the children’s classes, and then high junior. When I went in the seniors he became my speed horse. It’s like I had him forever. And we would always joke that he was my boyfriend because he was one month older than I. Another old friend is turning 19. I gave him to my father who is doing some smaller classes on him. I love him so much. He was getting a little old so it was time to step down. When I was younger I’d ride a lot of other peoples horses and ponies. Now, I have a great string of horses. Cylana is my best well known horse since I took her to the Olympics, and I also had a second horse that finished as second reserve for the games. His name is Mika. And I have a couple of speed horses that fill in the gap but those are my two big horses.”

“Cylana is my best friend. She’s a spectacular horse, in my mind she is the best in the world. An amateur in Switzerland had her and he was only doing small one star classes. Then the a family bought her and she did a few, small classes with their daughter – 145cm but never anything bigger. When we got her she was unfit and a little fat and in a very short time she went from having no experience to jumping clean in the trials. It’s like shocking how quickly she turned around. I can’t say enough good things about her. She’s incredibly smart. Every time you ride her she wants to do exactly what you tell her and quickly. She’s way smarter than a horse. And she has the biggest heart of any horse I’ve ever sat on.”

In Miami Beach on Cylana – Reed’s favourite of all times

HER FIRST BIG MOMENT

”My first big moment was the Olympics trials. No one including myself expected me to do as well as I did so that was a huge moment. Besides just being around this incredible group of good riders I was also there with this incredible group of athletes. To think that we were all there and had earned it was just crazy.” And then from there it was just to prove that I could do it consistently, that it was not just one spectacular week. So it’s about being consistent. Kentucky was a big moment. And then Calgary couldn’t have gone anybetter, we just dominated it so that was also special.”

”I’m one of those people who really likes pressure.  Sometimes when there’s not a big enough atmosphere or when it’s not as important a show it can make me a little casual.

Chilling out in Spain for a photo shoot with Manfredi Equestrian.

DEALING WITH PRESSURE

”I’m one of those people who really likes pressure.  Sometimes when there’s not a big enough atmosphere or when it’s not as important a show it can make me a little casual. So I really like high pressure situations, where there’s no room for air. It brings out the best in me and I think it brings out the best in my horses to. They sense it’s a big moment and that that’s important. 2012 was the first year that I was old enough to do the two stars. I try to stress that as much as I can. I’ve had so much success in the past year but I’m only a teenager.”

KEEPING UP SPIRITS

”There’s always ups and downs in the horse business. Dry spells. I’m so lucky to have a good group of horses but anything can happen. So you should really enjoy every show at the time. I’m having fun. Every experience is a new experience at this level. Maybe when you’re older, you’re like, oh I showed in the Paris Grand Prix ten times and its nothing new. But when your my age everything is new, everything is exiting!”pastedGraphic.png

BUSINESS & FUN

”We stayed at the Fursan stables in Chantilly a few days before the show, and then we went to Paris. Some friends came here to do the two star; they’d never showed in Europe. We went to the Gucci party and we’ll go to Paris tonight. I’ve shown in Paris since I was thirteen. It’s a crime, really, not to enjoy the city when you’re here. We’re so lucky that many of these shows are in the most beautiful places. We get to travel the world and see all these incredible places while we are working. I was raised at the horse shows. So my whole life was going from show to show every week. I’m never home. And that’s how I was raised. So when I do stay at home a few days it’s weird and I don’t like it. I’m more at home in a hotel room.

“My whole life was going from show to show every week. When I stay at home a few days it’s weird and I don’t like it. I’m more at home in a hotel room.”

When we’re in Florida, where we have a farm for the tour, we’re there for four months and everyone from the horse show is living together and you’re all at the show. So its not like being at home because there’s so much to do and everyone is around you. But when we’re in Kentucky its a little more quiet and after I’m there for a few weeks I’m ready to travel again. I love adventure. I don’t like to sightsee or go to a museum. But food and shopping is how I like to discover a city. This is all I’ve ever done and I dont see doing anything else.”

HORSES AND LUXURY

”The sport has really picked up a luxury image now. Ten years ago you wouldn’t see a show like this. It always had a lot of prestige but the sport has developed, there’s luxury brands, luxury sponsors. The Global tour is fantastic, with fantastic prize money..it draws in people like the more mainstream sports. Technology has developed. Everything is streamed live which has made the sport more accessible. I think it is really cool that the sport is becoming so global. The technology that we can now go to places around the world. If you have a horse that travels well…it’s just another plane ride.”

Reed Kessler on her horse with the apt name; Cos I Can, photo Sportfot.

IMPROVING HER SPEED

”The speed is something I’ve really been working at. Sometimes I’m not as good at turning back and Katie’s been working me really hard at home to get better. So I’ve been really competitive in each jump off and I’m really proud of myself that I was third in the speed challenge. That’s a very fast class with the fastest riders. So to finish third was impressive for me. Last night was big too, I was just 200th off of Christian Ahlmann’s time. So I’m really happy with how its going. My skills have improved so much. If everyone was turning on seven or eight strides I did it on six. I’ve been really competitive in jump offs and I’m really proud of myself.”

HER SUPPORTERS

”Everyone’s been great. Even if its only my first year doing above the two stars I’ve been in the senior division since I was 15, so I’ve shown against most of these people and we know each other. My parents are my mentors, but mostly Katie. Katie is highly respected over here so when you’re with her people treat you nicely.  I grew up most of my life 45 minutes from Manhattan and I went to high school on West 60th right across from Fordham University so I’m a New York City Girl at heart even if we just moved to Kentucky. We’re a really close family. My parents are the best parents you could have for this show. They are so supportive. Even though they do the amateurs they’ve been riding with Katie for many years; they’re extremely knowledgeable. I can talk to them about the course, and they can help me and give me advice. It’s a huge benefit. It makes us really close. It’s hard for people who grew up with people who didnt ride. They ride great. My mum did the one star here last year. She won like every single class. ”

A LITTLE BIT LEFT BEHIND

”The sport is not as well known in the US and we have nothing like the shows in Europe. Besides Washington DC the atmosphere is not the same. We would never get a crowd as big as here, even yesterday for the 1.50 class it was packed which I think that is terrific. If I go to a show in the States, I have to put up thousands of dollars of entry fees and stall fees. Here it is free and the prize money is better, just as the atmosphere and the crowds which are amazing. It’s great if Europeans will show how a really professional, glamorous five star show should look like.

“I’d love for my country to have the strongest shows in the world. That’s how it used to be.”

We used to have Madison Square Garden, but that was before my time…When you look at the pictures it was something special. New York socialites would come out in gowns and dresses. It was a huge social event. No one could miss it. Everyone who was anything was there and it had a fantastic atmosphere. After it ended the sport lost a lost in our country. We’ve had great shows and great money. We have some of the greatest riders and shows that have a lot of history. The sport has become more modern, but they are still a little bit left behind.

This fabulous bar, the schooling area where everyone can watch, the screen, the high end sponsors…all of it is missing at home.The biggest thing we miss out on is the atmosphere. When the three best riders here are interviewed during show is really special. They play loud music and get the crowds really excited…We try to explain it to our managers but they have to see it for themselves and bring their pen and paper.  I’d love for our country to have the strongest shows in the world. That’s how it used to be. The best would come and do our Nations Cup indoor. They were fighting for who would get to go over there. So I’d love to help to get us back to that point. We have the North American Riders Group that my dad is on the board of.  I hope to start taking part in it. I was a little too young before..hopefully I’ll start getting into it.”

ONE DAY YOU’LL LOOK BACK AND SAY….

”That was crazy! I’ll have a bad 17 year old daughter and I’ll say, ”when I was your age I was…go do your homework!” We were joking last night that it is supposed to be the end of the world on December 21st. And I said; if the world ends I did all possible to see her. I’ve had the year of my life and I’m ready to go. ©  Interview at EEM Masters. 

Reed has returned to New York where she attends Columbia University and continues to show on a reduced schedule, which now includes the Longines Masters of New York.

Reed speeding in Paris. 

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ferragamo’s weekend refuge

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Filed under Sustainability, Travel

The Italian fashion dynasty spends their weekends hunting and horse riding at Il Borro – a historic estate with a green agenda.

By Camilla Alfthan, photos Signe Vilstrup, DV October 2016

the painter from moominland

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Filed under Arts, culture

Tove Jansson is best known for her celebrated Moomin characters. Her lifelong ambition, however, was to be recognized as a painter, tells her niece, Sophia Jansson who exhibited some of her intriguing works.

By Camilla Alfthan, Berlingske June 2017

Jean Rochefort at the museum

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Filed under Notebook

The Derby by Gericault.

For the actor, Jean Rochefort, it was the horses who inspired him to write the bestselling book, Le Louvre à Chéval.

By Camilla Alfthan

”EQUESTRIAN ART is the result of two species that find confidence in one another. The painters were aways interested in the horses. Their aesthetic beauty, their sensuality and the mystery of the horse always inspired artists,” said Jean Rochefort during a chat between classes at the Gucci Masters show in Paris. When a friend from the Louvre asked him to co-write a book which examines the cultural link between horses and mankind the result was a visual tome peppered with comments and anecdotes.

”There are some very beautiful images and some humour, too. I received letters from children who discovered painters thanks to little bits of fun. In art it all becomes very serious. But it has to amuse you and create emotions so it can’t be serious. Art is made for happiness,” said Rochefort whose own favourite oeuvres were by Delacroix – “A master whose brush strokes are beyond comparison”.

“In art it all becomes very serious. But it has to amuse you and create emotions so it can’t be. Art is made for happiness!”

The actor, a regular at the French show jumping events, had come to Paris with his wife to watch their daughter compete on the family’s homebred horses.

”Here it is too much showbiz like Cannes. It’s very peculiar.  I was a part of this competition from the beginning and I would prefer if it was more about the sport than about the people; if you understand what I mean. I call it restaurants with horse shows. When people eat and forget to look,” he said with a shrug while one of Paris’ little Green Men, un technicien de surface, began to clean our table with a cloth and spray.

Rochefort at his haras in Normandy.

The equestrian world is very special. How did you enter it?  In Bretagne my grandfather had carriage horses to take the tourists sightseeing. His interest skipped a generation. So for me, it all began when I was riding in a film. It was like an electric charge! My life changed because of that! I have since bred horses and my daughter continues and my wife as well. It’s an enormous passion.  All species interest me. Even homo sapiens. But less and less. I think we are lost. (Laughs.)

Animals are kinder? At least they have certain codes. A stallion fights with another stallion, the strongest one stays and the weaker leaves. But with us, humans, the weaker leaves and the stronger kills him anyway. He who wins kills. It’s only with the ants and the humans that this exists. The war between the same species only exists between ants and humans. And some chimpanzees. They are very close to us.

They recently discovered that two-three male chimpanzes will run great distances to other chimpanzee families just to kill a male and then leave again. And the reason behind this is not known. Many things are discovered these days, we begin to know the animals much better, non? In Le Monde they spoke about this the other day; the osmosis between mankind and other species, among them, the horses.

Which is the subject of your book; the relation between horses and humans. Voilà, in the old days, they worked for us, they obeyed us. Now we are trying to create a bond. It is this bond that you see in great performances. When I started sixty years ago horses did not have much fun. It was often violent work. With my grandfather you should not approach them as they were seen as dangerous monsters. That has changed a lot.

”In the old days, the horses worked for us. Now we’re trying to create a bond with them. It is this bond that you see in great performances.”


Equitation is an art form in more than one sense. 
Oui, equestrian art begins with the confidence between of two species that find confidence in one another. The horse is relaxed because he trusts the rider. In the art world, you see the approach between the artists and the animals, where the horses interested them the most. The aestetic beauty, their sensuality and the mystery of the horse always inspired artists. The book had a lot of succes all over the world, so I’m very happy and even very proud.

People easily forget that this art exists.  Even 30.000 years ago man painted animals in grottos. It was magnifique. The bulls, the horses.. Without the animals there may never have been any painters. Because when the first drawings were made on walls, they painted their companions in life.

Do you collect equestrian art? Écoutez. I find that here, too, there’s been an evolution. Before, I found it very boring. Twenty years ago it wasn’t interesting at all. Now, when I see certain oeuvres they create an emotion.

The audience needs to be seduced.. Even in modern art when there’s wonderful absurdities and someone writes four philosophic pages to explain it that is not reasonable. We must have fun with art, it cannot be serious.  

At a recent exhibition in Paris, I saw a video where a horse was skating on ice. I thought there was someting special and went to have a closer look. When I learned that the artist had made it because he’d had problems with his mother I was no longer interested. That there had to be a psychological reason for him to make the film made me lose all interest!

After that I saw three obstacles which were encircled by a long piece of rope so you couldn’t get too close to them. A drop of water fell on one of the obstacles every thirty seconds. I was fascinated and I saw something interesting there. After a while the guardian came up to me and said; ’Monsieur Rochefort, that is a leak…’  Funny, non?”   ©

Jean Rochefort with Jane Birkin in the film ‘The Artist and his Model’.

Le Louvre à Cheval by Jean Rochefort and Edward Vignot is published by Louvre Editions.

L’homme et le cheval, une relation millénaire        

Delacroix’s portrait of a horse.

 

 

 

inspired eclecticism

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Filed under Design

As the daughter of two antique dealers, Laura Gonzalez has made herself a name in the world of interiors with a penchant for classics mixed with the unexpected.

By Camilla Alfthan, photos Francis Amiand, Henne 2017 

flying geniuses

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Filed under Sustainability

The dream to fly eternally on solar energy resulted in a trip around the world for the Swiss adventurer, Bertrand Piccard and his co pilot, André Borschberg.

By Camilla Alfthan, Weekendavisen April 2017  

style huntress

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Filed under Design

A visit to art historian, Emilie de Bonaventure’s cosy cave in southern Pigalle where treasures are hunted down at the flee market.

By Camilla Alfthan, Living February 2017

more is more..

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Filed under Design

As long as it doesn’t give you a headache, says Alexandra Poster Benaïm – a compulsive consumer of interiors designs.

By Camilla Alfthan, Henne, October 2016

 

Alex Thomson

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Filed under Notebook

How do you feel now after this long adventure – well rested or restless?

I am feeling surprisingly well rested. After the 2012/13 edition it took a few weeks to get my sleeping pattern back to normal but this time I have managed to get back into a more regular sleeping pattern pretty quickly. I’m enjoying spending time with my family and friends and just getting back to normal.

The support during the race was incredible. My team sent me all of the messages of support from social media each day and it really did encourage me to keep going throughout the race. It was definitely a mental booster.

What was the toughest time?
The toughest time was when my starboard foil broke on my way down the Atlantic. Sailing the boat on port tack was difficult without the foil and the boat was incurring around a 30% speed deficit whilst sailing on that tack. It was extremely frustrating and it was very hard for me to remain positive and carry on fighting throughout the race at first.

Most sportsmen hurry on to the next event after they’ve finished – you got to stay and savour your feat with Armel and enjoy the atmosphere in Ollon. Is that a major thing about this race – to be able to digest it all and exchange experiences? How deep does the rivalry between skippers run?

Yes, the arrival back into Les Sable d’Olonne is incredible, from the channel, all the way to the pontoon and race village, there are tens of thousands of people waving you back in and the atmosphere is incomparable. Being greeted by Armel on the pontoon and being able to shake hands and share experiences from the race is an amazing feeling after competing for so long. Although we were fighting for first place throughout the race, the rivalry in this race can’t run deeply because when we are out there alone at sea most of the time the only people who can save us are our rivals.

“The arrival is incredible with tens of thousands of people waving you back in. Being greeted by Armel on the pontoon and sharing experiences from the race is an amazing feeling after competing for so long.”

What’s been the main difference in this Vendée Globe and the past one? Are you a better, more experienced sailor now than the last time?
I am definitely a more experienced skipper now than I was in the previous edition of the race. The main difference in this edition of the race though was the speed that these boats can now reach.

You broke the 24h record – what’s been the main difference between sailing this boat and the old one?
I broke the 24h record whilst sailing on starboard tack and using my remaining foil and it is the addition of the foils which has really been the main difference between sailing my new boat compared with my old boat. The foils are what makes these boats reach these new speeds by lifting the boat out of the water, creating less drag.
Is there, in fact, a conflict when it comes to making a faster boat which is also strong enough to endure the race?
There is a fine line between speed and reliability. You have to design and build a boat which is the fastest and yet reliable enough to make it around the world.

What’s next? You did a skywalk for Boss and other stunts – who comes up with these ideas?
I thought of the initial concept for each viral video. Which were then developed and made possible by the team. There are no plans as yet but watch this space.

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Standing on the sky –

Despite a missing foil Alex Thomson came second in the Vendée Globe, just 16 hours after the French skipper, Armel Le Cleac’h.

like a tamed jungle…

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Filed under Design

Or a carefully choreographed cabaret, designers Marc Hertriche and Nicolas Adnet’s flamboyant home is a fusion between their different backgrounds in couture and hand crafted furniture. 

By Camilla Alfthan, 2020